Ebook Fun Home, by Alison Bechdel
Ebook Fun Home, by Alison Bechdel
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Fun Home, by Alison Bechdel
Ebook Fun Home, by Alison Bechdel
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Product details
Series: Tony Award
Paperback: 78 pages
Publisher: Samuel French, Inc. (August 1, 2015)
Language: English
ISBN-10: 0573704570
ISBN-13: 978-0573704574
Product Dimensions:
5 x 0.2 x 8 inches
Shipping Weight: 12.6 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
789 customer reviews
Amazon Best Sellers Rank:
#62,953 in Books (See Top 100 in Books)
I first heard of Fun Home when I read an article about how it was on the summer reading list for incoming freshman at Duke University and a group of students were boycotting it. They said it was pornographic and that its homosexual themes violated their Christian moral beliefs. Learning a group is trying to ban or boycott a book is one sure way to get me interested in reading it.Fun Home is Alison Bechdel’s graphic memoir of her life growing up. Fun home is what she and her brothers called the family-owned funeral home her dad ran. This was the first adult graphic novel I’ve read. (And by adult, I mean for grown-ups, NOT porn.) I was really surprised how drawn into it I was. I didn’t realize that characters could be so defined in the graphic format. I really felt for Alison, having to grow up with such distant, detached parents. Her pain and confusion over her father’s death jumps off the page.The only way that Alison and her father relate to one another is through a mutual love of books and reading. Fun Home is peppered with literary references and comparisons that went completely over my head. Once again I’m pulling the “I was an accounting major so I didn’t read any classics in college cardâ€. If you have, you may enjoy the references and Alison’s book will have even more meaning for you. However, I still liked this book a lot anyway.There were a few nude drawings in this book, when Alison figures out she’s a lesbian and starts having relationships with women. However, Alison is a talented illustrator and they looked like works of art in my opinion. If the scenes had been described using words, they would have been much more graphic. I am applying Justice Potter Stewart’s “I know it when I see it†test of obscenity and this ain’t it.As far as the homosexual themes in the book goes, yes this is a memoir written by a lesbian about her relationship with her gay dad. It’s a gay book. But isn’t one of the great things about reading learning about people who are different than you? Reading helps one develop a deep sense of empathy. Maybe you might even learn that people you once thought were evil are not. Maybe that’s a scary thought for some people and they would rather live in their insulated bubbles. I’m glad I’m not one of those people. However, I should thank the students at Duke for alerting me to this book’s existence.Put Fun Home on your list of challenged books that must be read!
I don't typically read graphic novels, not because I dislike the genre or haven't read some brilliant graphic novels in the past. My predisposition is toward novels and history/non-fiction. In the case of "Fun Home", I listen to the podcast "Books on the Nightstand" and this was one of their recommendations. I've had great experiences when reading one of their recommendations and hadn't read a graphic novel in several years so decided to change things up."Fun Home" is an entertaining and poignant autobiography of Bechdel's childhood. Her family owns a funeral home in a small town so her father works as an English teacher, her mother an actress. They buy a charming fixer-upper which her father lovingly devotes much of his spare time to restoring to grandeur often enlisting Alison for assistance. Much more, this is Alison's story of growing up as she starts to realize she is a lesbian, her coming out as well as learning that her father was a "closeted" gay man. Her father dies after being hit by a car and Alison wonders whether this was an accident or suicide, unable to fully express himself and his true sexual orientation. It is also about the unspoken bonds between Alison and her dad after she tells her parents she is gay --- she can never quite come to ask him about his sexual orientation and he never directly broaches the subject with her before his death. The illustrations only serve to enhance the development of the Alison and her family and deepen the emotional engagement with their struggles. There are moments of sadness, but more moments of joy and discovery to be found in this exceptional autobiography.
This is a graphic novel. I am not habituated to the format, and in a few I have read in the past have had difficulty balancing my attention between the words and pictures. Here, that was not the case. Bechdel balances serious and often detached out-of-panel sentences with engaging drawings and dialogue. The panels contribute a different element, not always illustrating what is written above or below them, creating a dynamic dual-tone. As I, with my limited exposure, understand, it is unusual to write deep reflective analysis to tell the story around the panels which show the story.The novel is a testament to her father, and she leaves no part of him, or her own emotions about each part of their relationship, unexplored. She presents him in his entirety: the good, the bad, the disturbing, the endearing. Through reading it I could feel her love of him, and because of this sympathy I found myself not wanting to remember his baser acts. One scene expresses her frustration at the dishonest portrayal of people at funerals, where people feel that only good can be spoken about the person. She would rather have a brutally honest representation to show all her father’s flaws and all the love he received anyway. This is what this book is.The characters are all very real. I was able to get a full idea of the father, and all the secondary characters acted believably. Of course, it is an autobiography. More than that, all of them are portrayed through compelling details, and every scene shown feels significant. The story is not told chronologically, rather it jumps between scenes relevant to each chapter’s theme. This allows every idea to be explored entirely when it is first introduced, rather than hoping it will stay in the mind of the reader until it is addressed again. Together, they paint a rich, full picture. As the story nears its end, many moments resurface, each for a single panel, drawing everything together. This pattern builds to a climax until the final scene, which is one continuous and simple moment. I had been expecting some grand finale, and the solitary scene was not quite enough. I did not feel the significance the author was trying to attribute to it. This stood out more because I had not felt that the rest of the book fell short, and the ending must, by placement, be particularly meaningful.The balance of text and image, good and bad, was masterfully executed. My only complaint is that the ending panels did not live up to the resonance of the rest of the book. I rate this book 8/10.
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